The excitement grew as PSY flew over the 50,000 in attendance, strapped to a harness, while performing “Paradise” and “Goose’s Dream.” PSY appeared to be crying tears of joy when taking a brief pause during “Goose’s Dream.” Around 145,000 viewers tuned into see him. He performed his 2012 hit “Crayon” before transitioning into BIGBANG track “Fantastic Baby.” Although BIGBANG didn’t join the rapper on stage, he pulled off the performance on his own. The star opened his short set with “One Of A Kind” and a handful of enthusiasm. K-pop rap star G-Dragon, leader of boy band BIGBANG, emerged as the last guest performer. PSY nailed the dance moves it was impressive considering he was in go-go booots. PSY, and two dancers, re-appeared in body-hugging red bodysuits to perform the Bey’s hit. Minutes after, the stage lit up with the luminous lettering that read: “I dedicate the next stage to Beyonce.” The video to Beyonce’s “Single Ladies (Put A Ring On It)” began to play on the big screen, except PSY’s version featured his face on Bey’s body. I can compose slow and R&B songs I can sing it as well.” He moved into self-written, “Thrilled,” before the stage enveloped in darkness. To all the fans who watching this concert by YouTube, I want to show you my first dream was composer. “No matter what you think I am, I know what I am. “My international fans are all about ‘Gangnam Style.’ A lot of my international fans think I’m a comedian,” he said. PSY used the Happening Concert to also showcase his talents as an artist. PSY began to incorporate more lighting tricks as the sun set, starting with his performance of “Urbanite.” Amongst visuals of cyborgs and robots, PSY and his back-up dancers used full glow-in-the-dark outfits to create the most visually-impressive set of the night. The broadcast peaked to 123,000 YouTube viewers after the ladies’ performance. After performances of “Best” and “Can’t Nobody,” it became clear that 2NE1 need to return to K-pop soon. Front woman, CL, focused on the crowd while Minzy twerked behind her. The opening zippy synths of 2NE1’s biggest hit to date, “I Am The Best,” began to play as the foursome made their way on stage. He performed his signature bird moves to a rock rendition of “Bird,” then transitioned into “In My Eyes” with a ridiculous leggy dance.Īfter the crowd erupted following a fun performance of “I’m A Guy Like This,” with its catchy “Shake it! Shake it! Yo! Everybody!” hook, the first major surprise of the night emerged. 1 on the K-Pop Hot 100 last week, joined him to sing R&B-inspired ballad, “What Would Have Been?”Īs the show continued, the stage visuals became more intense as did PSY’s dance moves. PSY’s newest labelmate, 16-year old Lee Hi who was No. “I’m PSY, glad to meet you.” It was a humble speech for a star who avoided an ego though his breakout single topped countless charts. “It’s been 13 years since my Korean debut, but one year worldwide,” he told a roaring audience. PSY moved quickly into feel good tracks like “Celebrity” and “It’s Art” before addressing the audience. In a black/gold matador-inspired jacket and his signature sunglasses, PSY kicked off the show with his 2010 single “Right Now.” The fans’ excitement proves PSY found success before the release of “Gangnam Style.” With over 100,000 tuned in on YouTube, it was a smart kick-off for PSY to show he’s been rocking this style for years. It makes them feel like, “Damn, I guess if I could write, rap, and I knew a way to say it, I would say it that way.” I’m his manager, but as a fan, that’s how I feel.Watch the Follow-Up Visual to ‘Gangnam Style’ “He’s talking about things that the average person, whether it’s me, his friends or his fans, understand. “He’s not speaking about something that’s so outrageous that nobody understands,” he said. Speaking with Billboard, Ib says Cole’s fans understand the rapper’s message, which is why his reach is so admirable. After a few retweets of praises for Dreamville acts like Cole, Bas and Ari Lennox, Ibrahim ‘Ib’ Hamad assured fans, “It’s only going to get better.” Rumors have continued to linger about his joint project with Kendrick Lamar and Cole’s manager has teased fans on Twitter about what’s to come from the label in 2017. Something tells us this won’t be the only project we’ll jam to by the Dreamville King this year. #4youreyezonly is the only 2016 4th quarter Hip/Hop album release to earn certification, ? /T8Qb2SPhxi
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You likely have a good idea of how you're going to be using your Surface Book and what kind of display you will want to connect it to, so choosing one of the above adapter options will help you enjoy your Microsoft Surface Book with a multi-display view. Share whats on your tablet, laptop, smartphone,1 or Surface onto an HDTV or monitor with Microsoft Wireless Display Adapter. It's unlikely you would need to have all of these cables and all of these adapters to get through your daily life. Save 41 Surface Mini DisplayPort Convert to HDMI 2.0 Adapter. There are a lot of ways you can connect your Microsoft Surface Book to various type of displays. Microsoft 4K Wireless Display Adapter Miracast USB+HDMI. Therefore it's recommended to use a VGA adapter (like the one in the above section) instead of relying on a cable. Your Mini-DisplayPort has a very powerful video signal, and a VGA cable has a very weak video signal. It's not recommended to use a Mini-DisplayPort to VGA cable. VGA inputs and outputs do not process audio, just video, but you can purchase an inexpensive () to go between your laptop and display device if you want to send an audio signal too. You'll find these on computer monitors and some video projectors. A VGA adapter for your Surface Book will allow you to connect to any device that uses those old, familiar, blue-tipped VGA cables. The subtle visual inflections and deliberately constricted performances contribute to a slow-burn effect that compels up to a point. Disquieting later passages - from Jane’s first meeting with the surly, mysterious Rochester (Fassbender) to her growing awareness of some malevolent, unseen presence - are shot with the shivery atmospherics of a horror picture. There’s a bit of “The Turn of the Screw” in this “Jane Eyre”: When Jane is installed as a governess at Thornfield and received by Judi Dench’s benign, faintly reproving housekeeper, the house is cloaked in the sort of impenetrable shadows that might have been lensed by Gordon Willis. And whereas past adaptations have relied on voiceover as a substitute for Jane’s first-person narration, Fukunaga avoids such exposition with a bold insistence on image-driven storytelling. Though Fukunaga was hardly an orthodox choice to direct a period costumer after “Sin nombre” - his 2009 debut about Central American immigrants - his hand can be discerned in the film’s unusually blunt, visceral dramatization of Jane’s ordeals, such as an abrupt cut to the lash of a cane against the girl’s back. This makes for an intuitive segue into her early years as a spirited child (Amelia Clarkson) brutally mistreated by her aunt (Sally Hawkins), who soon packs her off to a parochial hellhole to suffer the abuses of a self-righteous headmaster (Simon McBurney). John Rivers (Jamie Bell) and his two sisters (Holliday Grainger, Tamzin Merchant), whose introduction early on underscores the absence of family that is Miss Eyre’s most wounding privation. In an unusual gambit, scribe Moira Buffini (“ Tamara Drewe”) shuffles the chronology with a simple, elegant framing device: Rather than detailing Jane’s cruel Victorian orphanhood, the opening scenes are marked by a sense of tragic inevitability as the older Jane (Mia Wasikowska) is seen fleeing Thornfield Hall, into a quintessentially Brontean landscape of wild moors and sodden English weather. From the 1944 Joan Fontaine-Orson Welles film to the 1996 version directed by Franco Zeffirelli, nearly every feature-length “Jane Eyre” has had to wrestle with the challenge of condensing Bronte’s episodic narrative, a task more easily managed by five-hour-plus adaptations such as the beloved 1983 miniseries. |
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